By Reynaldo Sietecase
¿A cuántos hay que matar? Esa inquietante pregunta es el disparador de un relato duro y perturbador que no se detendrá hasta que l. a. respuesta a ese interrogante se cumpla inexorable. Quien pregunta es Mariano Márquez -el abogado y protagonista de los angeles exitosa Un crimen argentino-. Quien responde es un poderoso empresario que no cejará hasta vengarse de los secuestradores y asesinos de su único hijo.
La nueva novela de Reynaldo Sietecase expone los dilemas que plantea los angeles justicia por mano propia, y pone al descubierto el afán económico, los angeles ambición mezquina y el odio, pasiones profundas que cruzarán los destinos de un preso que se niega a recuperar su libertad, de un periodista en procura de reconocimiento a cualquier precio, de fiscales y policías que pierden de vista el issue humano, de una bella y enamorada stripper, de un asesino a sueldo eficaz y refinado, de un héroe civil nacido de una tragedia familiar.
Como en Un crimen argentino, como en Pendejos -sus narraciones anteriores-, como en los mejores ejemplos del género policial, esta n ovela se hunde en los rincones más oscuros de l. a. sociedad hasta lograr un retrato impiadoso de l. a. condición humana. Y no persigue el triunfo de los angeles justicia sino revelar el entramado de locura y violencia que los hombres son capaces de urdir.
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At least that’s what Nick thought. After a little more research, Nick discovered that it was a loop of the chorus, just over forty seconds, which was used at Guantanamo. He threatened to make a further public stink. Gary advised against it. Gary wanted a meet. By the time Nick made it to the bar, Gary was five whiskey sours in and hitting on a sixty-year old barfly named Sugar. He welcomed Nick with a drunk-guy hug, all rubbing hands and awkward arms. “I need to talk to you about this music torture thing, dude,” Gary said.
The UN man kicked the prisoner. ” The CIA agent looked up. “Satellite’s down. ” THE FRONT DOOR TO BIG ELMO’S LIQUOR STORE SPRUNG OPEN, and a Hispanic man in a bloody white tee shirt ran out, carrying a shotgun. Another man followed. The Soldier didn’t hesitate. He jammed the stolen pickup into drive and stepped on the gas. The man in the bloody shirt raised the weapon and fired, and the bug-spattered front windshield of the truck turned opaque as load of birdshot ricocheted off the glass. The Soldier rolled down the driver’s window and stuck his head out to see.
14: “It was my old man who taught me how to hot wire a car, an easier matter in those simpler days than it is today. But the thrill of driving a stolen car, drunk off my ass, the wrong way down a state highway at a hundred plus miles per hour, that’s something that can’t be taught. And what did Lynn think of this behavior? ” Can we take out the reference to driving drunk? Controversy is good but this is one constituency we don’t want to cross. pg. 29: “I was tired of the neighbors’ German Shepherd mix barking all goddamn night.